{"id":5058,"date":"2020-05-29T14:16:04","date_gmt":"2020-05-29T12:16:04","guid":{"rendered":"https:\/\/www.noorlanderorgels.com\/?p=5058"},"modified":"2020-05-29T17:04:11","modified_gmt":"2020-05-29T15:04:11","slug":"introduction-sampleset-billerbeck","status":"publish","type":"post","link":"https:\/\/www.noorlanderorgels.com\/en\/introduction-sampleset-billerbeck\/","title":{"rendered":"Introduction sample set Billerbeck"},"content":{"rendered":"

\"\"<\/p>\n

The St. Ludger Cathedral in Billerbeck<\/strong> (Germany) was built in 1892-1898. For lack of money, only a small organ with 32 stops was built by Friedrich Fleiter. The historic organ case is still preserved. In 1948, the organ was enlarged to 42 stops. In 2008, Orgelbau Fleiter started building a new organ, which was built in several stages and completed in 2014. The instrument has 72 speaking stops spread over four keyboards and pedal.<\/p>\n

The organ is designed in the French symphonic style, with elements from other traditions, resulting in an eclectic universal organ. It has five divisions: four keyboards and pedal. The Hauptwerk and Chamadenwerk are located in the organ case on the right (north side). The Schwellwerk on the left (south side). The pedal is positioned behind both historic cases and features three 32′ stops, among others. The R\u00fcckpositiv is enclosed in a swell box and contains 12 stops of mixed (French and German) traditions. The Hauptwerk and Schwellwerk stops are inspired by the French style, developed by A. Cavaill\u00e9-Coll. The flutes of the Schwellwerk are overblowing. In addition to the chamade trumpets, the Chamadenwerk also offers solo stops, namely the Vox Ludgeri, a clarinet-like reed, and the Fl\u00fbte harmonique.<\/p>\n

Disposition:<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.\u00a0R\u00fcckpositiv (expr.)\u00a0<\/strong>C\u2013c4<\/sup><\/td>\n2.\u00a0Hauptwerk<\/strong>\u00a0C\u2013c4<\/sup><\/td>\n3.\u00a0Schwellwerk (expr.)<\/strong>\u00a0C\u2013c4<\/sup><\/td>\n4. Chamaden<\/strong>\u00a0\u00a0C\u2013c4<\/sup><\/td>\nPedal<\/strong>\u00a0C\u2013g1<\/sup><\/td>\n<\/tr>\n
Principal 8\u2019<\/td>\nGrande Bourdon 32\u2019<\/td>\nRohrbordun 16\u2019<\/td>\nTrompeta magna 16\u2019<\/td>\nGrand Flute 32\u2019<\/td>\n<\/tr>\n
Rohrfl\u00f6te 8\u2019<\/td>\nViolone 16\u2019<\/td>\nDoppelfl\u00f6te 8\u2019<\/td>\nTrompeta real 8\u2019<\/td>\nBourdon 32\u2019<\/td>\n<\/tr>\n
Salizional 8\u2019<\/td>\nPrincipal 16\u2019<\/td>\nGeigenprincipal 8\u2019<\/td>\nTrompeta clarin 4\u2019<\/td>\nPrincipalbass 16\u2019<\/td>\n<\/tr>\n
Unda Maris 8\u2019<\/td>\nPrincipal major 8\u2019<\/td>\nBourdon 8\u2019<\/td>\nCornet 5 f.<\/td>\nFlute 16\u2019<\/td>\n<\/tr>\n
Praestant 4\u2019<\/td>\nPraestant 8\u2019<\/td>\nViola 8\u2019<\/td>\nFlute harmonique\u00a08\u2019<\/td>\nContrabass 16\u2019<\/td>\n<\/tr>\n
Holzfl\u00f6te 4\u2019<\/td>\nViola da Gamba 8\u2019<\/td>\nVox coelestis 8\u2019<\/td>\nVox Ludgeri 8\u2019<\/td>\nSoubasse 16\u2019<\/td>\n<\/tr>\n
Waldfl\u00f6te 2\u2019<\/td>\nFlute harmonique\u00a08\u2019<\/td>\nPrincipal 4\u2019<\/td>\n<\/td>\nOctavbass 8\u2019<\/td>\n<\/tr>\n
Quinte 1 1\/3\u2019<\/td>\nGedackt 8\u2019<\/td>\nFlute octaviante 4\u2019<\/td>\n<\/td>\nFlute 8\u2019<\/td>\n<\/tr>\n
Mixtur 4 f.<\/td>\nOctave major 4\u2019<\/td>\nFugara 4\u2019<\/td>\n<\/td>\nCello 8\u2019<\/td>\n<\/tr>\n
Sesquialtera 2 f.<\/td>\nOctave minor 4\u2019<\/td>\nNazard harm. 2 2\/3<\/td>\n<\/td>\nBourdon 8\u2019<\/td>\n<\/tr>\n
Trompete 8\u2019<\/td>\nFlute conique 4\u2019<\/td>\nOctavin 2<\/td>\n<\/td>\nChoralbass 4\u2019<\/td>\n<\/tr>\n
Cromorne 8\u2019<\/td>\nQuinte 2 2\/3\u2019<\/td>\nTierce (harm.) 1 3\/5<\/td>\n<\/td>\nViola tenore 4\u2019<\/td>\n<\/tr>\n
Tremulant<\/td>\nOctave 2\u2019<\/td>\nFourniture 5 f.<\/td>\n<\/td>\nContrebombarde 32\u2019<\/td>\n<\/tr>\n
<\/td>\nCornet 5 f.<\/td>\nBasson 16\u2019<\/td>\n<\/td>\nPosaune 16\u2019<\/td>\n<\/tr>\n
<\/td>\nMixture major 2\u2019<\/td>\nTrompete harm. 8\u2019<\/td>\n<\/td>\nFagott 16\u2019<\/td>\n<\/tr>\n
<\/td>\nMixture minor 1\u2019<\/td>\nHautbois 8\u2019<\/td>\n<\/td>\nTrompettenbass 8\u2019<\/td>\n<\/tr>\n
<\/td>\nBombarde 16\u2019<\/td>\nVoix humaine 8\u2019<\/td>\n<\/td>\nClairon 4\u2019<\/td>\n<\/tr>\n
<\/td>\nTrompete 8\u2019<\/td>\nClairon 4\u2019<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nTremulant<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nCarillon<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nTremulant<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Couplers:<\/p>\n

III\/I, IV\/I, Sub III\/I, Super III\/I<\/p>\n

I\/II, III\/II, IV\/II, Sub III\/II, Super III\/II<\/p>\n

IV\/III, Sub III\/III, Super III\/III, Aequallage ab (all supercouplers are sounding to the highest tone, i.e. “ausgebaut”)<\/p>\n

I\/Ped, II\/Ped, III\/Ped, IV\/Ped, Super I\/Ped, Super II\/Ped. Cantus II\/Ped 2′, Super III\/Ped<\/p>\n

 <\/p>\n\n\t\t